In Spring of 2025, we were approached by a Norwegian Studio and Artist collaboration to work on their Vivid installation for 2026.
The design brief was both simple and complex at the same time; to create a 20m circumference 50m2 circular LED screen for an outdoor space in Sydney for Vivid 2026. At the beginning of the dialogue, we had no idea where this would be placed, but we knew it would look spectacular. The working relationship developed, and we began the journey of discovery.
Firstly, we needed to ensure our LED 'curved' at the necessary radius, we knew it could but needed to check also the mechanics of constructing this at scale. We created a proof of concept in our warehouse yard, and it turned out better than we had hoped. We then knew, this would be exceptional.

This is our Outdoor LED screen which is able to curve at a 9 degree angle, clipping together to create a seamless front. Only at this point, did we know our screen would be fit for purpose. Next was to create a custom support as standard LED 'bumpers' would not be a good fit for the installation environment.
Wooden sleepers custom mitred to form 40 interlocking support blocks were then manufactured forming a perfect 20m circumference.
Vivid 2026 - Point of No Return LED Screen & Truss Structure

Next step - creating a fully engineered internal skeleton fit for the demanding installation environment and able to fulfil all necessary engineering requirements for an outdoor installation in place for over 3 weeks in a Harbourside environment.
Using Vectorworks Spotlight our design team prototyped a number of designs arriving at a square hub and spoke design. A common truss system of Global Truss 290mm F34 box and 800mm base plates with 50mm aluminium pipe to half spigot connectors was determined as the most effective structure as indicated on the picture.
Each panel connects at sides via variable angle locks -9 to +9 degrees. The drawing at this stage, doesn't show the ballast but the final design used 4 tonnes of ballast.




After working very closely with the artist and the amazing Vivid team, we discovered the location was Barangaroo Pavilion. It was an amazing choice for the structure, and positioned perfectly in the space to be exactly 3m from each side.
Once the first / bottom half of the truss was in place, we could add the ballast. After the ballast came the blocks, this is so that we would be elevated off the floor, protecting the LED. Once the truss was in place, the LED started to flow.

Once installed, now it was the time for the tech. Using a suite of advanced tech and working side by side with our wonderful artist team, the tech was set.
Cameras were installed, which allowed for people to interact with the art, until the "Point of (No) Return"


